A Tour of the English Lakes
W5. Windermere from the West Shore
Gray's Journal Entry: ‘The views given of Windermere, when compared with each other, show that the style of that lake and its environs differs materially from the other lakes which are exhibited in the course of this work. That it is a landscape of a softer species, and wears a more cultivated appearance. In grandeur and sublimity it is inferior to Derwentwater and Ullswater; but excells both in splendour and extent. Each lake has a peculiar and striking character; the difficulty, therefore, with the artist, is to determine on those situations where the distinction is marked in the strongest manner. The islands on Windermere (if they may be so called, many of them being rather wooded rocks), are ten in number, composing a kind of archipelago, and in some views appearing to separate the upper from the lower reach of the lake. In this view, which was taken on the western side, nearly opposite the village of Bowness, the Great Island, which contains about thirty acres, forms a principal object. It is of oblong shape, traversing the lake in an oblique line, and is the only one on which a building is erected. From Ferry House beneath Bowness, is the great pass of communication from the western to eastern shore.’
Farington's Art
Windermere c1800
Windermere c1800
Watercolour and Engraving: In the watercolour the central figure with the stick and bundle over his shoulder has his back to us. In the engraving he is coming towards us.
Pixel View
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Location Hint: In this picture Farington seems to have reduced the size of Great Island (Belle Isle), as did many artists, to make his lake scenes more picturesque. This photograph should be taken from West’s ‘station’, marked on Crosthwaite’s map, but unfortunately trees now obscure the view. Don’t just explore close to where John Murray took his picture, but try further south and higher up.
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